The Crime of Fashion Series
SOME PEOPLE ARE drawn irresistibly to a particular profession. Sometimes by happenstance, sometimes by design; sometimes by a mixture
of the two.
Ellen Byerrum has always been drawn to the profession of writing, as a reporter, a playwright, a media professional,
and a mystery writer. She
earned her journalism degree at a major public university, which has since scuttled its once-prestigious
School of Journalism and folded the mighty journalism program into a mere “Department of Communications.” (Journalists
everywhere were saddened.) Luckily, she'd built a successful career as a working journalist before her degree in this rapidly changing
profession could be used against her.
Ellen has worked at a number of reporting jobs, beginning her career at small newspapers
in small towns in the West--including one particular town she has fictionalized as “Sagebrush, Colorado.” Later she found
her way into the Big Leagues of journalism: Washington, D.C., a city rich in history, culture, political drama, and crimes of
fashion. Our Nation’s Capital is a fertile source of inspiration for her Crime of Fashion Mystery series.
In researching her
mystery novels, she's earned her private investigator’s registration in Virginia, interviewed innumerable fascinating sources,
and toured such varied scenes as a velvet factory in its last days, abandoned cowboy campsites in backwoods Colorado, and the immense
costume collections behind the scenes at the Smithsonian Museum of American History. She also researches and collects vintage clothing,
like Lacey Smithsonian, the heroine of her Crime of Fashion Mysteries. However, she notes ruefully, the fictional Lacey seems to have
more clothes and a larger closet. (And of course Lacey has her Aunt Mimi's magical bottomless trunk, filled with fabulous
vintage clothes, fabrics, patterns and fashion memorabilia.)
MEDIA GALLERY
Copyrighted photos of Ellen Byerrum are provided here for use by book reviewers, journalists, publicists,
and other media professionals. Full-size images are also available upon request. Please request permission before using, and give
copyright credit to the photographer.
These photographs © Joe Henson
All website contents © Ellen Byerrum, except as specified. All rights reserved.
AMONG EXPERIENCES THAT have inspired her stories:
Seeing a dead woman at her grandparents’ country club as a child. (The
Children Didn’t See Anything)
Reporting on murders, mayors and school board meetings for a zany small town newspaper in “Sagebrush,
Colorado.” (Death on Heels)
Attending a school for private investigators in suburban Virginia. (Armed and Glamorous)
Working
in the marketing department of a major hair salon chain. (Killer Hair)
Touring a closing velvet factory where the manager told
her "there are lots of ways to die here." (Shot Through Velvet)
Inspiration may strike anywhere and everywhere. But inspiration
is only the starting point. Sometimes a story takes on a life of its own and takes off in a new direction. The finished story might
have little in common with that first spark of inspiration. Ellen also firmly believes that every good story is in some sense
a mystery. A good story makes the reader wonder (and care about) who these characters are, what shaped them, what drives them, what
kind of world they live in, and most of all, what’s going to happen next.
In addition to her Crime of Fashion mysteries, starring
fashion sleuth Lacey Smithsonian, Ellen has published her first independent e-book, a novella entitled The Children Didn’t See Anything.
Geared toward middle grade and older readers, this tale introduces a brand-new set of characters, including the precocious twelve-year-old
twins Evangeline and Raphael Bresette. More adventures featuring the Bresette twins may be forthcoming. And Ellen's heroine Lacey
Smithsonian will continue solving crimes (of fashion and otherwise), with her unique nose for nuances of style, and her eye for a
subtle fashion clue.